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‘The Aftermath Project’: Photographers go back after the war
As she lingered above workers poring through mass graves in Bosnia, photojournalist Sara Terry tried to ignore a cardinal rule of photography: Get closer.
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This entry was posted on Monday, February 22nd, 2010 at 5:44 pm and is filed under Photography. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.

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